MIKAEL LEVIN
CV
SOLO EXHIBITIONS (SELECTED) | |
2024 | Lincoln Colored School. Canton, Missouri: "Critical Places; The Lin Uprising of 1849" |
Southwest Mississippi Center for Culture and Learning. Alcorn State Universty. Lorman Mississippi: "Critical Places; Sites of American Slave Rebellion" | |
Slave Cabin Gallery, Melrose. Natchez National Historic Park, Mississippi: "Critical Places; Sites of American Slave Rebellion" | |
2023 | L. Parker Stephenson, Photographs, New York: "Subasqueous" |
2022 | Galerie Gilles Peyroulet & Cie, Paris: "Work in Progress: Critical Places; Sites of American Slave Rebellion" |
2017 | Galerie Gilles Peyroulet & Cie, Paris: "Real Pictures" |
2014 | L'été photographique de Lectoure: "Mikael Levin / Marek Szwarc" |
2012 | Galerie Gilles Peyroulet & Cie, Paris: "Landscape with Calm (and Trash)" |
Gallery of the School of Architecture, University of Puerto Rico, San Juan: "The City and the Walls" | 2010 | Musée d'art et d'histoire du Judaisme, Paris: "Cristina's History" |
Hofstra University Museum, Hepstead, NY: "Settling into Nature" | |
Galerie Gilles Peyroulet & Cie, Paris: "Prince Aniaba, il n'y a donc plus de différence entre vous et moi que du noir au blanc." (Louis XIV) | |
2009 | The Berardo Collection Museum, Lisbon: "Cristina's History" |
Le Point du Jour, Cherbourg: "Cristina's History" | |
2008 | Galerie Gilles Peyroulet & Cie, Paris: "Seuil / Threshold" |
2003 | Bibliothèque Nationle de France, Paris: "Mikael Levin, Photographies" |
2000 | Storefront for Art and Architecure, New York: "Common Places" |
1998 | Haus am Kleistpark, Berlin: "The Burden of Identity" and "Suche" (War Story) |
1997 | International Center of Photography, New York: "War Story" |
1996 | Kunstfest Weimar: "Suche" (War Story) |
1994 | Goethe House and French Cultural Services, New York: "The Border Project" |
1989 | Josef Albers Museum, Bottrop, Germany: "Traumhafte Reise" |
1988 | Centre d'Action Culturelle Granit, Belfort, France: "Silent Passage" |
1986 | Galerie Michele Chomette, Paris |
1984 | Susan Harder Gallery, New York |
1983 | Ernesto Mayans Gallery, Santa Fe |
1980 | Fundacion Mendoza, Caracas, Venezuela |
1979 | Camera Obscura, Stockholm |
1977 | The Photographers' Gallery, London |
GROUP EXHIBITIONS (SELECTED) | |
2024 | Vienna Secession. Vienna, Austria: "Forms of the Shadow" |
2023 | Powerhouse Arts, Brooklyn, NY: "Tales from Gowanus: Mikael Levin and Clayton Price" |
Boyden Gallery, Saint Mary's College of Maryland: "towards a self-made shore; Black Histories in Southern Maryland" | |
Dora Observatory, Paju, South Korea: "DMZ Exhibition: Checkpoint" | |
Heckscher Museum of Art, Huntington, NY: "Viewfinders: Photographers Frame Nature" | |
Basel Peace Forum, Basel, Switzerland: "THE REAL DMZ PROJECT" | |
2022 | Marquee Projects, Bellport, NY: "Water Lines" |
2020 | Korean Cultural Center and Fiminco Foundation, Paris: "THE REAL DMZ PROJECT: Negotiating Borders " |
2019 | Marquee Projects, Bellport, NY: "An Artist's Place" |
Juedisches Museum, Munich, Germany: "Say Shibboleth! On Visible and Invisible Borders" | |
Gowanus Dredgers Boathouse: "Sediment: As Above So Below" | |
The Photography Show, Presented by AIPAD: "A Room for Solace" Curated by Alec Soth. | |
2018 | Marquee Projects, Bellport, NY: "By the Sea: Mikael Levin, Vera Lutter, Steel Stillman, James Welling" |
Hohenems Jewish Museum, Hohenems, Austria: "Say Shibboleth! On Visible and Invisible Borders" | |
2014 | Centre d'art Contemporain Faux Mouvement, Metz: "Travail d'archives" |
2013 | Galerie Michele Chomette, Paris. "Sleeping Beauties IV" |
2011 | Musée d'art et d'histoire du Judaisme, Paris. "War Story" in "A journey through the MAHJ's Contemporary Collection" |
2010 | Bibliothèque Nationle de France, Paris. "Qumran" |
2009 | The Solo Project, Basel; Galerie Gilles Peyroulet & Cie. "New York Moments: Mikael Levin and Rudy Burkhardt" |
2008 | Smart Project Space, Amsterdam. "Settling into Nature" shown in "Field Work - Part II" |
2003 | Venice Biennale. "Notes from the Periphery" shown in "Structures of Survival" (Curated by Carlos Basualdo.) |
2001 | École nationale supérieure de beaux-arts, Paris: "Des Territoires" (Curated by Jean-François Chevrier |
2000 | Museum of the City of New York: "New York Now 2000" |
1999 | White Columns, N.Y: "Coming of Age" |
1997 | Färgfabriken- Center for Contemporary Art and Architecture, Stockholm: "Form Follows [Anything]" |
1996 | Galerie F-15 Alby, Moss, Norway: "James Welling and Mikael Levin" |
1995 | French Cultural Services, New York: "The Landscape in Question" |
1993 | Grand Palais, Paris: "Salon Decouverts" ( Curated by Jean-Claude Lemagny) |
1990 | Brooklyn Museum, New York: "New Acquisitions" |
Musem Ludwig, Cologne:"Vom Landschafsbild zur Spurensicherung" | |
1989 | Fotografiska Museet, Stockholm: "Lewis Baltz and Mikael Levin" |
1987 | One Penn Plaza, New York: "Beautiful Photographs" (Curated by Gene Thorton) |
1985 | Pavillon des Arts, Paris: "La Photographie Creative" (Curated by Jean-Claude Lemagny) |
Caves Sainte-Croix, Metz, France: "Construire le Paysage de la Photographie" | |
1984 | Witkin Gallery, New York: "Trees and Clouds" |
SOLO BOOKS AND CATALOGUES | |
Au bord. Monograph. Texts by Luc Baboulet and Mikael Levin. Éditions de la Villette. Paris. 2022. | |
Some Signs. Artist's Book. Gowanus Souvenir Editions. 2015. | |
The City and the Walls. Exhibition catalog. Essay by Etienne Helmer. School of Architecture/ University of Puerto Rico. 2012. | |
Settling Into Nature. Exhibition Catalog. Essay by Sophia Hatz. Hofstra University Museum. 2010 | |
Cristina's History. Monograph. Essays by Jean-François Chevrier, Jonathan Boyarin, and Carlos Schwarz Da Silva. Le Point du Jour, Cherbourg, 2009 | |
Pleasant if Somewhat Rude Views. Artist's book. Essays by Gabriel Levin. Onestar Press, Paris, 2005. | |
Mikael Levin photographies. Exhibition catalog. Essay by Philippe Arbaïzar: "Informer le paysage." Bibliotheque Nationale de France, Paris 2003. | |
War Story. Exhibition catalog. Roundtable discussion with Jean-François Chevrier, Mikael Levin, and Annette Wieviorka. Centre historique des Archives nationales, Paris, 2003. | |
Common Places Response Catalog. Newprint. Texts by Catharina Gabrielsson, Gertrud Sandqvist, Ingo Schulze, Alexandra Yerolympos, Jean-François Chevrier, and others. Storefront for Art and Architecture, New York, 2000. | |
Common Places. Newprint exhibition catalog. Essay by Christopher Phillips, 1999. | |
The Burden of Identity. Exhibition catalog. Essay by Peter Stephan Jungk. Gina Kehayoff Verlag, Munich, 1998. | |
War Story. Monograph.Texts by Meyer Levin. Introduction by Hanno Loewy, afterword by Ellen Handy. Gina Kehayoff Verlag, Munich, 1997. (Also published in German as Suche.) | |
Borders. Exhibition catalog. Essays by Jean-François Chevrier, Reinhold Mißelbeck, and Laura Trippi. Goethe House / French Cultural Servies, New York, 1994. | |
Silent Passage. Monograph. Introduction by Andy Grundberg. Hudson Hills Press, New York, 1988. | |
PUBLICATIONS / GROUP EXHIBITION CATALOGUES | |
Cahiers de l'Ecole de Blois. Lieux Critques. #22 Lignes de Front. 2024. | |
Kentucky Monthly Magazine. The Doyle Stampede of 1848. May, 2023. | |
Prompt: Anna Plesset & Kathryn Brackney. Issue #4. 2021. | The Critical Eye: Fifteen Pictures to Understand Photography. Lyle Rexer. Intellect Books, The University of Chicago Press, Chicago. 2019. |
Tablet Magazine. My Father's House. July 22, 2019. New York. | |
Osmos Magazine. Different Modernities: Notes from the Periphery and the U N Series. Summer, 2019. New York. | |
Jewish Quarterly. No Man's Land. Autumn, 2018. London. | |
Say Shibboleth!. Boaz Levin, Hanno Loewy, Anika Reichwald. Bucher Verlag, Hohenems. 2018. | |
Parler la Photographie. Etienne Helmer. Editions MIX, Paris, 2017. | |
Archives Au Present. Gowanus Broadside. Presse Universitaires de Vincennnes. Saint-Denis. 2017. | |
Division/Review. Vol. 1 No. 2, Summer 2011 and No. 20, Winter 2020. | |
Memoires de Photographes. Fonds Photographique Pierre Soulillou. 2011. | |
Ligeia; Dossiers sur l'art. Ruines, Photo & Histoire. #105-108. 2011. | |
En Diplomatins Hantverkare. Bokförlaget Atlantis, Stockholm, 2010. | |
Fario. Revue semestrielle de littérature et d'art. Portolio of 8 images from "Margins." Issue #8, 2010. | |
Qumran. Bibliothèque Nationle de France, Paris, 2010. | |
Storefront Newsprints 1982–2009. Storefront for Art and Architecture, New York, 2009. | |
The Solo Project. Basel 2009. Exhibition Catalog. p.50-51. | |
Les voyages de Vauban. Guillaume Monsaingeon. Éditions Parenthèse, Marseille, 2007. "Epilogue: Sur Quelques Photographies de Mikael Levin." p.173-175. | |
Chinati Foundation newsletter. "Artists in residence / Mikael Levin" by David Tompkins. Vol 11, October 2006, p.72-73. | |
Barrow Street. "Absent Memories." New York, Summer 2006 p.53-63. | |
Dreams and Conflicts; the Dictatorship of the Viewer. "Notes from the Periphery." La Biennale di Venezia, Marsilio Editions, 2003, p.262-263. | |
Paysages territoires. L'Île-de-France comme métaphore. "La Bassée." Éditions Parenthèse, Marseille, 2002, p.215-237. | |
Spectral Evidence; The Photography of Trauma. Ulrich Baer. Chapter Two: "To Give Memory a Place: Holocaust Photography and the Landscape Tradition." Chapter Three: "Meyer Levin's In Search, Mikael Levin's War Story." MIT Press, 2002. | |
Des territoires en revue. "Walking City." École nationale superieure des beaux-arts, Paris, 5/5, October 2001. | |
Le Visiteur. "Common Places." Interview with Mikael Levin by Luc Baboulet. Paris, Issue #6, Fall, 2000. | |
Arkitektur. "Allmänna Platser" by Catharina Gabrielsson. Stockholm, October 2000. | |
Reflections in a Glass Eye. Works from the International Center of Photography Collection. Bulfinch Press, New York, 1999. | |
Photosynkyria 10+1. Camera Obscura, Thesssaloniki, 1999. | |
Handla. "Borderline." Essay by Catherina Gabrielsson Åman. Nerenias & Santerus Förlag, Stockholm, 1997. | |
Documenta X- the book. Cantz Verlag, l997. | |
Kunstforum. "Mikael Levin: Judische Spurensuche." #137, 1997. | |
Blind Spot Photography Magazine. "Coming of Age." New York, #9, Spring 1997. | |
Magasin för modern arkitektur. "Out of the Archives - Referring to architecture." #12, Stockholm, 1995. | |
Les Quatre Saisons du Territoire.
four-volume set. Editions de l'Est 1992: L'Hiver Introduction by John Berger L'Automne Introduction by Claude Louis-Combert Le Printemps Introduction by Regis Durand, essay by Alain Buttard L'Éte Introduction by Jean-Claude Lemagny |
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Un petit pan de mur blanc. Galerie Jean Pierre Lambert, Paris, 1987. | |
Cre. Art Photo 85. Festival International de la Photographie Contemporaine, Dunkerque, 1985. | |
La Photographie Creative. Contrejour, Paris, 1984. | |
Camera Obscura. Camera Obscura Gallery, Stockholm, 1981. | |
MAJOR PUBLIC COLLECTIONS | |
Art Institute of Chicago, Chicago | |
Bibliothèque Nationale, Paris | |
Canadian Center for Architecture, Montréal | |
Centre national d'art et de culture George Pompidou, Paris | |
Fonds National d'Art Contemporain, Paris | |
International Center of Photography, New York | |
Israel Museum, Jerusalem | |
Jewish Museum, New York | |
Jüdisches Museum, Berlin | |
Metropolitan Museum, New York | |
Moderna Museet, Stockholm | |
Princeton University Art Museum, Princeton, NJ | |
Space for Contemporary Art. Seoul. Republic of Korea | |
Statens Konstrad, Stockholm | |
Victoria and Albert Museum, London | |
Whitney Museum of American Art, New York | |
GRANTS / AWARDS / COMMISSIONS | |
2015 | Artist in Residence. THE REAL DMZ PROJECT. Cheorwon, South Korea. |
2013 | Artist in Residence. Centre d'art et de photographie de Lectoure. Lectoure, France. |
2012 | Artist in Residence. Centre régionale de la photographie nord-pas-de-calais. Douchy, France. |
2010 | Artist in Residence. Fonds Photographique Pierre Soulillou. Moncalou, France. |
2009 | Prix Maratier. Foundation pour le Musée d'art et d'histoire du Judaisme, Paris. | 2008 | Burundi National Police Training Photographs. Commissioned by Belgian Technical Cooperation. |
2006 | Visiting Artist. Cooper Union. New York. |
2005 | Artist in Residence. Chinati Art Foundation. Marfa, Texas. |
2002 | Commission "La Bassée: A French Landscape in Transition." Direction Régional de L'environment, Paris. |
2001 | Artist in Residence. Caribbean Contemporary Arts. Port of Spain, Trinidad. |
Artist in Residence. Josef and Anni Albers Foundation. Bethany, Connecticut. | |
2000 | Commission "Sanctuaire de Source." Direction Régional de L'environment, Paris. |
Visiting Artist. Ecole d'Architecture, Nantes, France. | |
1999 | Commission "La Bassée - The alluvial plain." Direction Régional de L'environment, Paris. |
1997 | Fellowship. Memorial Foundation for Jewish Culture, New York. |
1996 | Artist's Residency. Institut Francais de Thessalonique, Greece |
1993 | Project Grant "The Border Project." French Ministry of Foreign Affairs |
1991 | Artist in Residence. Light Work, Syracuse, New York |
1987-91 | Commission "Les Quatre Saisons du Territoire."
Centre d'Action Culturel Granit, Belfort, France |
1985 | "Jury Prize" Festival International de la Photographie Contemporaine, Dunkerque, France |
FILM SCREENINGS | |
2023 | Powerhouse Arts, Brooklyn, NY: Gowanus Broadside. |
2019 | Cabinet Magazine, Berlin: Gowanus Broadside. |
2016 | Echo Park Film Center, Los Angles: At Work: Me, My Brother, Our Father. New Work Salon XXXV. |
Or Gallery, Vancouver: Gowanus Broadside. Conversation and Film Screening with Jean-Philippe Antoine and Colin Browne. |
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2015 | Echo Park Film Center, Los Angeles: Gowanus Broadside. |
Torn Page, New York: Gowanus Broadside. |
Universite Paris 8, Amphi X, Paris: Gowanus Broadside. In the context of the colloquium Transition des arts, transitions - esthétiques. |
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2014 | Showroom Gowanus, New York: Inside Looking In. Accompanied by sound performance by Jean-Phillipe Antoine. |
PRESENTATIONS / LECTURES | |
2019 | Judisches Museum, Munich, Germany: "No Man's Land" |
2016 | Ecole Supérieure d'Art de Clermont Métropole, Clermont-Ferrand, France: "Mikael Levin, Photographe" |
2014 | Archives au Présent. Colloque International. Centre Pompipou-Metz, Metz, France: "Gowanus Broadside. Le piquant du fantôme au présent" |
2012 | Ecole Européenne Supérieure D'Art de Bretagne, Rennes, France: "Mikael Levin, Photographe" |
2009 | Maumaus School of Art, Lisbon: "Issues of representation/expression of time in film and photography" (presented at start of 5 day workshop) |
2006 | Ecole des Beaux Arts, Paris: "Cristina's History" |
2001 | Montclair State University, Montclair, N.J.: "Recent projects" |
Malmö Konsthögskola, Malmö, Sweden: "War Story and other projects." (presented at start of two week workshop "Malmö flanerie") | |
Design Trust For Public Space, New York: "Marked Landscapes" | |
2000 | Johns Hopkins University (Neil Hertz: "Urban Photography") Baltimore, MD |
Ecole d'architecture de la Ville et des territoires. Valle de Marnes (Paris) | |
1999 | Ecole des Beaux Arts, Paris: "Landscape and Memory." Triennale di Milano, Milan: "Katrineholm and Other Common Places." |
OTHER | |
2023 | Interview. "Mikael Levin" Museumofnonvisibleart, Yale University Radio. Interviewed by Brianard Carey. October 18, 2023 |
Curatorial Project: "Facing the Bay; 1817-2023" Bellport Brookhaven Historical Society. | |
2020 | Bellport Street Renaming Action. Renaming Enslaver Street Names in the Enslaved's Names. Bellport, NY. |
2017-2018 | President, Board of Directors. CHIPS - Community Help in Park Slope. Brooklyn, NY. |
2014-2017 | Board of Directors. CHIPS - Community Help in Park Slope. Brooklyn, NY. |
2009 | Radio Production: "Le Point du Jour a l'épreuve du réel. Surpris par la Nuit." France Culture, May 11, 2009.
11:15–12:00 PM. Produced by Natacha Wolinski, directed by Angélique Tibau. |
2003 | Radio Production: "Aucun d'entre nous n'avait vu. Surpris par la Nuit." France Culture, March 18, 2003.
10:30–12:00 PM. Produced by Sèverine Nikel, directed by Anna Szmuc. |
1998 | Documentary Short: "War Story". Introduction to the project, interview with Mikael Levin. 22 minutes. Directed by Sussane Partoll. Produced by the Fritz Bauer Institute, Frankfurt / Media Films, Dornbirn, Austria. |
STUDIES | |
1972-73 | Williams College |
1974-76 | Hampshire College (B.A) |
BIBLIOGRAPHY | |
Aletti, Vince. "Mikael Levin." The Village Voice, 6/21/00. Allen, Bill. "Landscape as Metaphor." Santa Fe Reporter, 8/7/80. Almeida, Claudia. "Imagens de Familia." Visao, 9/3/09. Anderson, Kathy. "Silent Passage." Art Documentation, Spring 1989. Andre, Mila. "Bordering Europe’s Recent Past." Daily News, 6/3/94. Antoine, Jean-Philippe. "Justgottaletthisthing; Composer les sons de Gowanus Broadside." Archives au Present, Presse Universitaires de Vincennnes. Saint-Denis. 2017. Apel, Dora. " Mikael Levin: War Story." Memory Effects: The Holocaust and the Art of Secondary Witnessing. Rutgers University Press, 2002. Arbaïzar, Philippe. "Informer le paysage." Mikael Levin; photographies. Bibliothèque Nationale de France, Cahiers d'une exposition #43, 2003. Arbaïzar, Philippe. "Cristina's History, Mikael Levin." Ligeia. #105 - 108, 2011. Baboulet, Luc. "Les baricades misterieuses." Au bord. Éditions de la Villette. Paris. 2022 Baboulet, Luc. "Mikael Levin: Le Territoire et ses Fantomes." AMC Le Moniteur Architecture, # 133, April 2003. Baboulet, Luc. "Des Territioires." AMC Le Moniteur Architecture, # 120, November 2001. Baboulet, Luc. "Common Places." Interview with Mikael Levin by Luc Baboulet. Le Visiteur. Paris, Issue #6, Fall, 2000. Baer, Ulrich. Chapter Two: "To Give Memory a Place: Holocaust Photography and the Landscape Tradition." Chapter Three: "Meyer Levin's In Search, Mikael Levin's War Story." Spectral Evidence; The Photography of Trauma. MIT Press, 2002. Baer, Ulrich. "To Give Memory a Place: Holocaust Photography and the Landscape Tradition." Representations, University of California Press, #69, Winter 2000. Bond, Kathleen. "Critical Places; Sites of American Slave Rebellion." Natchez Democrat, 1/19/2024. Borger-Bendegard, Lisbeth. "Städer med samma själ." Svenska Dagbladet, 7/22/99. Boutoux, Thomas. "Des Terrritoires." Flash Art, February 2002. Brett, Donna West. Photography and Place; Seeing and Not Seeing Germany After 1945. Routledge. 2016 Brogden, Jim. Photography and the Non-Place; The Culture of Erasure of the City. Palgrave Macmillan. 2019 Buffet, Laurent. "Mikael Levin." Art Press, #357, June 2009. Buttard, Alain. "Reflections." Les Quatre Saisons du Territoire: Le Printemps Editions de l’Est, 1992. Chapuis, Frédérique. "Isuchaar et ses fils." Télérama. 6/23-29/10. Carstiuc, Alexander. "“The Whole Subject Was Taboo at Home.” Jungle World. July 8, 2021. Chauveau, François. "Mikael Levin." Regard sur l’Image, July 1978. Chemla, Véronique. "War Story, 1995 -1996 de Mikael Levin." www.veroniquechemla.info, 8/26/11. Chevrier, Jean-François. "The Border Project." Borders, Goethe House and French Cultural Services, New York, 1994. Chevrier, Jean-François. "Plus d'autre Sujet, Mikael Levin." Ligeia. #105 - 108, 2011. Diario de Noticias."Exposicao de Mikael Levin no Museu Berardo." 8/28/09. Down Town. "Why do Mikael Levin’s photographs remind us of fables?" 3/11/99. Dragone, Angelo. La Stampa. 1/26/80. Durand, Regis. "Presence et silence des formes." Art Press , #135, 4/89. Engel, Rachel. "Light and its Wonders." Maariv. 10/14/80. Ferreira, Catarina Mendonca. "A historia de Cristina...sem Cristina." TimeOut Lisboa, 8/28/09. Fleury, Jean-Christian. "Mikael Levin." Photographies Magazine, December 1992. Fiedler, Peter Alexander. "Ein sehr genauer Blick von außen." Thüringische Landszeitung, 2/3/00. Gerard, Pascal. "Un Américain à Cambrai." La Voix du Nord, 1/14/00. Gioia, Joe. "Water and Land." Lens on Campus, April 1985. Grundberg, Andy. "The Image Aflot." Silent Passage, Hudson Hills Press, New York, 1988. Guerrin, Michel. "Les territiores artistiques de l’antimondialisation." Le Monde, Paris, 11/10/01. Gustafsson, Henrik. "Crime Scenery in Postwar Film and Photography." Palgrave Macmillan, 2019. Handy, Ellen. "Sunset at a Lake; Looking for Landscape photography in a New Millennium." Camera Work, Vol. 28, no. 2, Fall/Winter 2001. Handy, Ellen. "Time, Memory, and the Limits of Photography." Center for Photography Quarterly, #63, Vol. 16, no. 2, 1995. Handy, Ellen. Galerie Michele Chomette, December 1992. Helmer, Etienne. "Mikael Levin." ArtPress, #347, July 2008. Helmer, Etienne. "Les Repreneurs." ParisArt, November 2007. Hirsch, Marianne, and Leo Spitzer. "War Stories: Witnessing in Retrospect." in Image and Remembrance: Representation and the Holocaust, ed. Shelley Hornstein and Florence Jacobowitz. Indiana University Press, 2003. Hoffman, Detlef. "Mikael Levin / Suche." Fotogeschichte, 1998. Hoone, Jeffrey. "Mikael Levin." Contact Sheet, # 71, Light Work, Syracuse NY, 1992. Horst, Sabine. "Kunst der Erinnerung." Journal Frankfurt, no. 5/97 p.34-35. Huet, Virginie. "Mikael Levin, itinéraire d'une errance." Connaissance des Arts, July/August 2010. Jaksch, Helen. "The Empty Chair Is Not So Empty: Ghosts and the Performance of Memory in Post-Katrina New Orleans." The Drama Review, no. 57/1 (Spring 2013). Jerusalem Post. "Mikael Levin." 10/7/80. Keller, Alexandra. "Lebendige Geschichte(n)." Kurier, 06/1/97. Köfler, Gretl. "Eine Spurensuche in Europa." Tiroler Tageszeitung, 4/17/97. Körte, Peter. "Im Wüsten Land." Frankfurter Rundschau, 6/19/96. Körte, Peter. "Drei Reisen nach Theresienstadt." Frankfurter Rundschau, 2/26/97. Kunigami, Naoko. "World Report, New York" Bijutsu Techo, 07/2023. Vol 75. No 1098. Lambert, Jean-Pierre. Un Petit Pan de Mur Blanc, Galerie Jean-Pierre Lambert, Paris, 1987. Le Monde 2. "Expo et livre; Histoires d'exil." 3/28/09, p. 8. Leroy, Pascal. Festival International de la Photographie Contemporaine, 1985. Levin, Mikael. "The Doyle Stampede of 1848." Kentucky Monthly Magazine. May, 2023. Levin, Mikael. "My Father's House" Tablet Magazine July 22, 2019. Levin, Mikael. "Café de la Frontière." Au bord Éditions de la Villette, Paris. 2022. Levin, Mikael. "Café de la Frontière." Say Shibboleth! Bucher Verlag, Hohenems. 20018. Levin, Mikael. "Réflextion sur les traces: Roundtable discussion with Jean-François Chevrier and Annette Wieviorka." War Story, Centre historique des Archives nationales, Paris, 2003. Levin, Mikael."Common Places." Interview with Mikael Levin by Luc Baboulet. Le Visiteur. Paris, Issue #6, Fall, 2000. Loke, Margarett. "Mikael Levin" Art News, September l997 Mayr, Beate. "Geschichte aus Nähe und Distanz." Tip – Innsbruck Zeitung, 05/15/97. Mißelbeck, Reinhold. "The Border Project." Borders, Goethe House and French Cultural Servies, 1994. Morton, Margaret. "Mikael Levin: Paris and Venice." NY Arts, Vol. 8, no 9. Natchez Democrat. "Historical Consciousness. Photography Exhibit Opens at Melrose." 1/19/2024. Nikel, Séverine. "Mikael Levin, une géographie historique." L'Histoire, July 2010. Pereira, Tiago. "Mikael Levin. A diaspora tembem passa em Portugali." i jornal, 8/31/09. Photographie Magazine. "Silent Passage." December 1988. Philadelphy, Ursula. "Paris–Theresienstadt: Unterwegs im Jeep." Der Standard, 23/5/97. Phillips, Christopher. "The Untidy Intimacy of Places." Common Places, 1999. Photo Nouvelles. "Mikael Levin; Cristina's History." #57, May-June 2009, p. 30-33. Redman, Zaha. "Mikael Levin." La Gazette de l'Hotel Drouot, 5/16/08. Redman, Zaha. "Mikael Levin". La Gazette de l'Hotel Drouot, 5/28/10 Richter, Jürgen. "Spuren der Geschichte." Frankfurter Allgemeine Zeitung, 2/27/97. Rivera, Tatiana Pérez. "Cronista de la ciudad". El Nuevo Dia, 2/29/2012 Robin, Régine. "Les photos dans les pas du père: le voyage de Mikael Levin." La Mémoire Saturé, Stock, Paris, 2003. Roegiers, Patrick. "Eaux profondes." Le Monde, 2/2/89. Rosen, Miriam. "Des Territoires." Artforum, February 2002. Rothfeld, Michael. "The Killing Fields." Manhattan Spirit, 2/21/97. Sandqvist, Getrud. "Paradisus Terretris." Form, February 1989. Santos, Luisa. " Mikael Levin; A Historia de Cristina." ARTECAPITAL, 11/23/09. Sauer, Benedikt. "Ihr habt uns auf unsere Geschichte gebracht." Der Standard, 05/31/97. Schmidt, Konrad. "Traumhafte Fotoreise zu den düsteren Seen in Skandinavien." Ruhr-Nachrichten, 7/26/89. Schrieber, Hauke. "Dreidimensionales Road Movie." Berliner Morgenpost, 6/16/98. Schwabsky, Barry. "Surfaces and distances" Bordercrossings Magazine, Issue 165, Volume 43, Number 1. 2024. Seiderer, Anna. "Ruminer l'archive" Archives au Present, Presse Universitaires de Vincennnes. Saint-Denis. 2017. Shales, Ezra. "Picturing the Pictures of the Holocaust." Review, 3/15/97. Strauss, Monica. "The Landscape of Memory." Aufbau, 5/9/97. Sturman, John. "Mikael Levin." Art News, December 1988. Trippi, Laura. "Border Photographs." Borders, Goethe House and French Cultural Services, 1994. Trippi, Laura. "Mikael Levin and James Welling." Galeri F-15 Alby, Moss, Norway, 1993. Vetrocq, Marcia E. "Venice Biennale: Every Idea But One." Art in America, September 2003. Werneburg, Brigitte. "Schmetterlinge auf Kimonos." TAZ, 6/20/98. Westdeutsche Allgemeine. "Schnörkellos—aber nicht ohne Emotionen." 7/13/89. Wiegand, Wilfried. "Die zweite Vergangenheit." Frankfurter Allgemeine, 2/27/97. Wieviorka, Annette. "Réflextion sur les traces." Roundtable discussion with Jean-François Chevrier and Mikael Levin. War Story, Centre historique des Archives nationales, Paris, 2003. Wigh, Leif. "Lewis Baltz and Mikael Levin." Fotografiska Museet, #1, 1985. Zoom-Net. "Vision Detail: Mikael Levin; Cristina's History." 5/25/09. |